{"id":966,"date":"2024-05-02T13:18:52","date_gmt":"2024-05-02T13:18:52","guid":{"rendered":"http:\/\/goeggit.com\/?p=966"},"modified":"2024-05-03T21:18:46","modified_gmt":"2024-05-03T21:18:46","slug":"used-envelopes-hold-thriving-potted-plants-in-fidencio-fifield-perezs-dacaments","status":"publish","type":"post","link":"http:\/\/goeggit.com\/index.php\/2024\/05\/02\/used-envelopes-hold-thriving-potted-plants-in-fidencio-fifield-perezs-dacaments\/","title":{"rendered":"Used Envelopes Hold Thriving Potted Plants in Fidencio Fifield-Perez\u2019s \u2018Dacaments\u2019"},"content":{"rendered":"
\"a<\/p>\n

All images \u00a9 Fidencio Fifield-Perez, shared with permission<\/p>\n<\/div>\n

Fidencio Fifield-Perez<\/a>\u2019s Dacaments<\/em> series began as a response to the bureaucracy of the U.S. immigration system. The Oaxaca-born artist immigrated with his family as a child, making him eligible for DACA (Deferred Action for Childhood Arrivals). To qualify and retain his status, he needed to collect official documents, the envelopes from which became the substrate for his paintings.<\/p>\n

When the Trump administration terminated the policy<\/a> in 2017, people like Fifield-Perez were thrown into limbo before the Supreme Court reinstated it in 2020. His hyperrealistic renderings of potted plants reflect this precarious position as symbols of domesticity and thriving life rest atop discarded mailers that have fulfilled their purposes. “Painted envelopes are configured into intimate portraits of the only home I have made for myself, moved across the country, and mourned for with the imminent threat of DACA\u2019s repeal,” the artist says, adding:<\/p>\n

\n

The plant paintings are physical and metaphorical maps of personal and official <\/i>correspondence. <\/i>The rubber plant abandoned outside The University of Iowa\u2019s art studios painted on the mailer envelope of my graduate degree; the split-leaf monstera gifted to my husband and me for our wedding ceremony; the jade plant given to me by the only other dacamented professor I\u2019ve met.<\/p>\n<\/blockquote>\n

Ongoing since 2016, Dacaments<\/em> will conclude this year when Fifield-Perez’s DACA status ends.<\/p>\n

As part of a McKnight Fellowship, the artist is working toward a show at Highpoint Center for Printmaking<\/a> in Minneapolis, where he lives. Find more of his paintings and collages on his website<\/a> and Instagram<\/a>.<\/p>\n

 <\/p>\n

\"a<\/p>\n

\"a<\/p>\n

\"a<\/p>\n

\"a<\/p>\n

\"a<\/p>\n

\"a<\/p>\n

\"a<\/p>\n

Photo by Argenis Apolinario, courtesy pf PS122 Gallery, N.Y.<\/p>\n<\/div>\n

Do stories and artists like this matter to you? Become a Colossal Member<\/a> today and support independent arts publishing for as little as $5 per month. The article Used Envelopes Hold Thriving Potted Plants in Fidencio Fifield-Perez’s ‘Dacaments’<\/a> appeared first on Colossal<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

All images \u00a9 Fidencio Fifield-Perez, shared with permission Fidencio Fifield-Perez\u2019s Dacaments series began as a response to the bureaucracy of the U.S. immigration system. The Oaxaca-born artist immigrated with his family as a child, making him eligible for DACA (Deferred Action for Childhood Arrivals). To qualify and retain his status, he needed to collect official […]<\/p>\n","protected":false},"author":1,"featured_media":968,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/posts\/966"}],"collection":[{"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/comments?post=966"}],"version-history":[{"count":3,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/posts\/966\/revisions"}],"predecessor-version":[{"id":977,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/posts\/966\/revisions\/977"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/media\/968"}],"wp:attachment":[{"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/media?parent=966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/categories?post=966"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/goeggit.com\/index.php\/wp-json\/wp\/v2\/tags?post=966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}