Conservation

Silhouettes and Surreal Drawings Echo Strife and Self-Preservation in Valerie Hammond’s ‘Dreamers Awake’

Silhouettes and Surreal Drawings Echo Strife and Self-Preservation in Valerie Hammond’s ‘Dreamers Awake’

According to Greek mythology, Daphne was the descendant of river gods. Born with a surging hunger for freedom and autonomy, the nymph committed herself to living a life rooted in solitude as she poured herself into deep passions like nature and hunting. Although Daphne devoted a great deal of time to exploring her tranquil surroundings, she eventually found herself in the chaotic throes of unrequited love as Apollo desperately sought to seize her for himself. One day, during a relentless pursuit in which Daphne was being chased by the Greek god, her only escape was to call her father for help, who subsequently transformed her into a laurel tree.

Narratives similar to this, symbolizing the adversity of self-preservation against burdening pressures set forth by powerful men, play a critical role in Valerie Hammond’s current solo exhibition Dreamers Awake.

While Hammond’s newest works imbue familiar themes of nature, spirituality, and strife, they also evolve from the artist’s ongoing interest in surrealism’s ability to address patriarchal narratives. “I found creative potential in its exploration of the unconscious and the uncanny, and I admired its attempts to liberate social conventions from conformist structures,” Hammond explains in the exhibition text. “I was especially intrigued by women’s involvement in surrealism, and their unique images of sexuality, vulnerability, violence, and rage.”

A feminine figure with billowing texture emerges from an amalgamation of wasp nests, wood, and paper in “Daphne 2,” alluding to the mythological tale while emphasizing the inextricable parallels between feminine plight and the metamorphic characteristics of nature. “Laurel” quite literally depicts the cost of self-advocacy, portraying Daphne’s fate as sprawling tree branches ascend from a pair of feet. Hammond’s ink pieces further draw upon the dissolution of feminine bodies, as inked silhouettes fade into landscapes behind them.

Dreamers Awake is on view at Pamela Salisbury Gallery in Hudson, New York until August 25. Keep an eye on Hammond’s Instagram for more updates and work.

a drawing on an indigo blue watercolor background depicting a deer with feathers in white ink
“Deer with feathers” (2024), ink and watercolor on handmade indigo paper, 25.5 x 27 inches
a gallery installation view featuring a sculpture of a standing figure on a pedestal in the center, surrounded by blue watercolor and ink drawings framed on the walls.
Installation view of ‘Dreamers Awake’
a sculpted figure stands with rippling texture made from a combination of wasp nests, wood, and paper. the figure's hair resembles a tree branch.
“Daphne 2” (2024), paper, wasp nest, and wood, 68 x 12.50 x 11 inches
a sculpture features two feet with rippling organic texture made from wasp nests, paper, and wood. tree branch forms sprawl upward from inside the feet.
“Laurel” (2023), hornets nest, paper and wood, 65 x 30 x 24 inches
a drawing on an indigo blue background depicting a cat in white ink
“Cat” (2024), ink and watercolor on handmade indigo paper, 18.5 x 25.5 inches
a drawing on handmade indigo blue paper depicting a fox in white ink
“Fox” (2024), ink and watercolor on handmade indigo paper, 2024, 18.5 x 25.5 inches
the midsection of a body and one arm sculpted from a combination of wasp nests, wood, and paper. it has a rippling, organic texture.
“Venus” (2024), paper, wasp nest, and wood, 68 x 12.50 x 11 inches
a red ink drawing depicts an owl perched atop tall silhouetted stalks of flowering plants.
Untitled, (2024), ink on Japanese paper, 72 x 39 inches
a drawing on an indigo blue watercolor background depicting an owlmoth in white ink
“Owlmoth III” (2024), ink and watercolor on handmade indigo dyed gampi paper, 18.5 x 25.5 inches
a drawing on an indigo blue watercolor background depicting a feminine figure standing atop a deer with feathers, holding an owl in black ink
Untitled, (2024), ink and watercolor on Japanese indigo paper, 76 x 40 inches
a red ink drawing depicts a bird soaring above atop tall silhouetted stalks of flowering plants as a cat rests below.
Untitled, (2024), ink on Japanese paper, 72 x 39 inches

 

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